Wednesday, January 28, 2009

The Curious Case of Me Bawling in Benjamin Button



From multiple sources of mine (i refuse to name names), i was under the impression that Benjamin Button was an overlong, mediocre turd of a movie. But i wanted to like it for a handful of reasons (my affinity for sweeping romances, David Fincher, Brad Pitt, Cate Blanchett and Forrest Gump - which, admittedly, this film resembles in a number of cases). Ok, i'll name names: Roger Ebert is completely dismissive (he doesn't even mention Cate Blanchett, let alone anything beyond the concept). He misses the point, however. The moment where everything fell in to place for me i will retell right here, for Mr. Ebert's sake.

Benjamin, at age 7, living in a retirement home because he resembles a geriatric, explains his reverse-aging to a fellow resident. In reflecting back on the conversation he doesn't remember the woman's name but he does recall she taught him how to play piano. After he tells her of his condition she says she pities him, "to have to see everyone you love, die before you. That would be an awful responsibility." I sit in the theater and think to myself, 'that is terrible.' Benjamin had never thought about it this way. She sees his thoughtful stare, "Benjamin ... we're meant to lose the people we love. How else would we know how important they are to us?" I was sad for Benjamin having to go through life the way he does. But in a split second i realized how unfairly appropriate this is. I thought about losing my grandmother last year, and my 20-year-old cousin the year before that. That pain all rushed back as the next scene announced the passing of that dear old woman who taught Benjamin to play piano. They didn't show her in the coffin in the cemetery. Because she wasn't in there. Aaron was. Gramma Smoot was. And i realized that i felt more connected to the plight of that hideous CGI-ed geriatric Brad Pitt than any other character i had seen on screen in many a long while. I wept several times during the movie. Bawled like a helpless infant. I haven't been moved to tears like that by a film in a long while either. Good thing i saw it by myself. It was pretty goddamn embarrassing.

The Curious Case of Benjamin Button wanders through life, rarely peaking with the dramatic intensity we've become accustomed to in epic romances (no yelling matches between lovers ending in ecstatic sex - no yelling of any kind really). Its understated tone made the simplistic love story all the more devastating for me. Instead of leaving my wife and child for fear that i will end up burdening them as i regress in age, i'll probably just get divorced like most. And i'll be left sending postcards to my daughter from the faraway lands that i selfishly pursue. I only hope, after all that, i can have someone there for me at the end. Whether its an old love or my daughter. Going out the same way i came in: surrounded by love. Oh, did i mention this movie is kind of corny sometimes too? That may be affecting my writing about it ... maybe.

Sunday, January 25, 2009

In And Out (Ed Wood Soundtrack)

from 09's Ed Wood film festival. all blips and beeps by your humble author.



and the video:

The Last Semester: Mella' Yella' through the Woods of Ed

A frequent posting meant to document my final semester of undergraduate studies. Lazy, wandering journal entries for posterity's sake.


Tuesday i wake up an hour late and miss the live coverage of President Obama's inaugural address. shit. i watch it on msnbc.com later. In global cinema I we watch some beautiful Lumières Brothers shorts and Méliès' A Trip To the Moon (a stunning little feature). i watch them with childlike wonder. In an actualité shot in Indochina, the Lumiéres' camera is chased by gleeful children in loincloths. i am one of those children.

At night, i celebrate the new age of American Hope with Chanos and beer pong. Andrew and I dominate the recently returned Ross and his partner (not in that way) Jeff. Then word of a party takes us to Ellendale. I see some people i know. I tell a junior, "a year from now, when you're in my position... then, you'll understand." A dumb thing to say. I meet Bob, a fresh grad student. I take over the iPod and play Bowie, Jay-Z, and Dre. We retreat back to our homes. Mitch, the actor, relieves himself on the side of church.

Wednesday we watch Dziga Vertov's Man with a Movie Camera in Documentary class. What a wallop. Even more impressive to me was Jean Vigo's A Propos De Nice. I watch Vigo with the same awe that i watch Méliès and Lumiére. A stupid, blissful smile glued to my face. I need to talk to my professor but i don't. The timing wasn't right ... or something stupid.

Thursday we watch What Doesn't Kill You in symposium. Mark Ruffalo was good. Film was trying to be macho and 'real.' Trying. The director talked afterwards and was the most humble director, ex-gangster probably in the history of that combination. I wish his personality would've been more tangible in the film.

Friday, a Paris reunion. Nice to see those buggers. We talk about What Doesn't Kill You and the unforgivable Twolovers. I have a Salvador Dali-esque mustache drawn on to my face. I play Biggie, Jay-Z and Bowie to the indifference of the party-goers. I go to the Pace House to see other friends. Lot of negativity around some of those folks. A 3 30am Canter's trip brings this out. I sit quietly and listen. Its not always negative. A nice little cap to the evening.

Ed Wood blends Saturday into Sunday. Cam and I create a montage of In and Out moments from films. Set to an original song by your humble author. A dinner break takes Flem, Wheelz and i to an art gallery at Santa Monica and Fairfax for a free No Age show. The art crowd no match for the raw intensity of songs like 'Eraser.' Hipsters, Hipsters everwhere, look how well they manage to look as though they don't care. Ed Wood is turned in at 11 50. Prospects of making it to screening night are slim. But it was my last, and it was a proper end. One of many on the horizon.

Monday, January 19, 2009

The Last Semester: Mike The Uncle

A frequent posting meant to document my final semester of undergraduate studies. Lazy, wandering journal entries for posterity's sake.



After a night of hipsters & coke followed by brown & tecate, i was picked up from my house at 8 in the morn by my cousin's best friend, Jess. Returned home on a saturday for my uncle Mike's 50th birthday. It was supposed to be a surprise (and i think it was). Mike is an amazing person. His oldest son is a year older than me and his youngest a year older than my brother. Our families have been close because of the bond between Mike's parents and my mom's parents. Mike now lives alone in Blythe and runs his dad's Autoparts store. He also drives offroad racecars. And as my dad said at some point in the night, "Its about time this family had something to celebrate. This same group has only been seeing each other at funerals recently. This is good." And it was. Cousin and her boyfriend smoke a J in the car on the way home. I drift in and out of coherence staring at the empty desert.

Friday, January 16, 2009

The Floor Scrape (previously Stage Names)

a more flushed version of Stage Names.

The Last Semester: Twolovers

A frequent posting meant to document my final semester of undergraduate studies. Lazy, wandering journal entries for posterity's sake.

First discussion for my philosophy class. Not to be mean but there's some lame people in there. Some kid says the worst movie he's heard about (though not seen) is Slumdog Millionaire because they pronounce "millionaire" like "mill-a-naire." Some pretentious mathematics kid in a wheelchair (he doesn't get an asshole pass because he has a disability) talked at length about how great Benjamin Button was without ever actually saying anything. I think I'll see that friday.

Signed up for film symposium. Leonard is kind of cool. Grampy cartoon that precluded the screening reminded me of a Santa Grampy, inset. I hope to find the VHS tape that I know this from when i go home this weekend. Two Lovers was screened. Painfully realistic, and not in a good way. I've never understood the complaint that things are too real ... until now. I saw myself on screen in some of the worst ways. I could see this being somewhat cathartic for the creator but what did he want an audience to get out of this? Message was clear about 20 minutes in and then he just subjected us to an hour and a half more of tense discomfort. That unease was not worth the message. Not to mention how self-aggrandizing it was. The two lovers in the picture often lobbed compliments at the protagonist (a retarded Marlon Brando-esque Joaquin Phoenix) about how great he was in the sack and what a great "artist" he was (he took black and white photos and loved movies ... here's to transparency). Better movie about a sociopath in New York with love problems? Taxi Driver.

Thursday, January 15, 2009

The Last Semester: Goodlands


A frequent posting meant to document my final semester of undergraduate studies. Lazy, wandering journal entries for posterity's sake.

Documentary class at 9 in the morn. Thoughts of being a film professor. Emphasis necessary? Don't like the idea of being stuck in an area of study. See ex-girlfriend's best friend. Ex in Israel now, i believe. Haven't spoken to her. Beginning Filmmaking screened. Cruel and unusual punishment of a documentary filmmaker's child. Discussing 'story,' 'composition,' and 'focus' with a three-year-old is torture. Grizzly Man also screened. Incredible. Both protagonists are children. One dies because of that fact. She'll die, too, but for a different reason ... most likely. Gorky's description of Lumière's first film screening is simultaneously thrilling and frightening. To NewBev for Badlands. I love that film. The perspective is touching. It covers small town folks in a way i'd like to accomplish some day. I finish mom's German-chocolate cake.

Wednesday, January 14, 2009

The Last Semester: Philosophy for College Students

A frequent posting meant to document my final semester of undergraduate studies. Lazy, wandering journal entries for posterity's sake.

Philosophy class, first day. Questions: What is Philosophy? Who am I? Why are we here? What is the meaning of life? Answers (mine): The study of knowledge ... and stuff. A lazy fool. Because. If i knew i wouldn't be here. The class feels like a very "this is what college is like" course. Full of what should be "heavy" ideas that after four years of study feel somewhat hollow. I finish reading Of Mice and Men. It took me over two months. The ending was most satisfying.

Graduate level Global Cinema Pre-WWII at night. Graduate students just as ridiculous as undergraduate students: "For those of us that aren't "Critical Studies" students," the girl asks, not even trying to hide her disdain, "could you lay out what it is that actually want from our film responses? Like should i talk about how my aunt grew up in such and such a time and place and remembers this movie?" Oh, film students. Casanblanca was screened. That movie is so beautiful (made even more astonishing in its 35mm print). Rick Blaine is one of the best characters in contemporary fiction. The close-ups of Ingrid Bergman are breathtaking. Claude Rains is one of my favorite character actors. This is one of those moments in Hollywood where everything and everyone comes together (writing, directing, acting, music, etc.) and produces that which is most rare in Hollywood: art. Beautiful, timeless art.

Tuesday, January 13, 2009

The Last Semester: Lazy Day One


A frequent posting meant to document my final semester of undergraduate studies. Lazy, wandering journal entries for posterity's sake.

First class of the last semester of school started at 6:00 in the evening. I got out of bed at 12:00. Coffee, two vitamin C tablets, a One-A-Day pill, bagel (cinnamon-raisin). Worked on a Sam Cooke remix that turned out surprisingly good. Class in the big theater at 6:00. Film Theories by a Jon W. Smart guy. Hand and brain worn out by the end of lecture. Rossellini's Stromboli screened. "Dio! ... Dio mio!" Ingrid Bergman's beautiful face screamed repeatedly at the end. Witnessing the fishing sequence was magnificent. Rossellini's realism kind of bores me. I get drunk off white wine and Budweiser American Ale. The beer isn't so good.

Moment 01130909:02



I'll be hard-pressed (i love that expression) to find a more beautiful moment this semester than the one i just experienced. Listening to "Giant" by The Bad Plus, i floated and weaved on my bicycle off campus and up Hoover, replaying my favorite images from Casablanca in my head, after just having screened that wonderful picture in 35 mm for my Global Cinema Pre-WWII class. I breathed in deeply and sighed with such relief knowing that beautiful things like these can and do exist. The Bad Plus and Casablanca... great for cocktail parties!

Monday, January 12, 2009

Sunday, January 4, 2009

Repost from Facebook (Ears: '08 Edition)

Seeing as McHip gave a pretty thorough musical round up for this year (save for some Deerhunter love), I'll stick to my personal favorites. Starting at the top:

1. 808s and Heartbreak by Kanye West. a.k.a. "My Favorite Album"
If you get past the first two sluggish - but still strong - tracks, the middle portion of 808s is quite beautiful. Filled with all the contradictions one feels directly after a break up (sometimes within the same song - "Love Lockdown"), Mr. West stumbles through the immediate aftermath with very little reflection or perspective. Its a flawed and simple record that despite the use of the generally reviled Auto-Tune and phony sounding drum machine, the Roland TR-808, is one the most honest and unique albums to come out this year.

Favorite Moment: The background vocals falling into the mix moments before the second chorus kicks in on "Street Lights."

2. Dear Science, by T.V. on the Radio. a.k.a. "Best Album"
The best band of the decade? I don't know. They're damn good though. From the opening "bop bop"'s of "Halfway Home" to the rapping on "Dancing Choose" to the ballad of "Family Tree" and Kyp Malone's falsetto on "Crying", these guys are incredible doing anything. Lead singer Tunde Adebimpe was even in Jonathon Demme's Rachel Getting Married! That's talent!

Favorite Moment: The "bop"-ing.

3. Fate by Dr. Dog. a.k.a. "Best Throwback Album"
There's some Beatles and some Beach Boys and I guess some Van Morrison, too, in these guys. Early R&B maybe? Psychedelic Folk-Pop? Anyways. I listened to this a lot so on here it goes.

Favorite Moment: From "Army of Ancients": I don't want to wake up / I don't want to move / I'll skip the sermon / and stick to the booze / I'M SORRY!

4. Stay Positive by The Hold Steady. a.k.a. "Best Drunk-Rock Album"
A summer album to beat all others. Reminds me of driving to San Jose with friends, drinking, smoking and that junkie girl I fell in love with. ... wait, that last memory's not mine ... HA! *Cue Slash-like solo*

Favorite Moment: The Joe Strummer reference on "Constructive Summer"


5. Some Racing, Some Stopping by Headlights. a.k.a. "Best Nice Indie-Pop Album"
Simple, cute, pop. Probably considered boring by most. One of four albums i had on my mp3 player after my Polish brothers stole my shit on spring break. Woohoo!

Favorite Moment: "Market Girl"

Though i could think of about a dozen "better" albums these are the ones I've most enjoyed and become most familiar with over the past year. Throwing some love towards tracks who's albums i'm less familiar with ...

Best Use of Falsetto

  • "Sleepyhead" by Passion Pit
    Anxiously awaiting an LP.

  • "Highly Suspicious" by My Morning Jacket
    Why this was not the biggest dance track of the year will always remain a mystery to me.

  • "Flume" by Bon Iver
    His momma loves him, as does mine.


Best Tracks to Dance/Shake Uncontrollably To

  • "Teen Creeps" by No Age
    Best moshpit i've ever experienced at an LA concert.

  • "Brainwave" by Nomo
    Weird blips and beeps make groove time fun!


Indie-ness

  • "Sentimental Heart" by She & Him
    Aaawww. I (Heart) Zooey Deschanel

  • "Acid Tongue" by Jenny Lewis
    Cute and sad. With nice backing vocals.

  • "Winter" by The Dodos
    "My friends they understand me better but they don't whisper 'good night' / I want a lover and a sister but we know that's not right". This whole album is actually really good. Here's a live performance of "Fools."


Marvelous Bittersweet Beauties

  • "The Trees Were Mistaken" by Andrew Bird
    The more Bird collaborates with Dosh the better.

  • "In The New Year" by The Walkmen
    Despite his Dylan-lite stylings this is quite the optimistic heartbreaker. '09, "It's gonna be a good year". Let's all cross our fingers.


Why 2009 Will Undoubtedly Be A GREAT Year for Music
Tracks that have leaked from upcoming releases. These have made my ears and heart all warm and fuzzy during this depressingly cold (by SoCal standards) closing '08 months.

  • "Not a Robot, But a Ghost" and "Anonanimal" by Andrew Bird
    Two high points (with the obvious Dosh influence) in an otherwise disappointing yet pleasant new album. I wanted a vicious machine but got instead a Noble Beast. But its still Andrew Bird so i like it.

  • "Daylight" and "Good Ol' Fashioned Nightmare" by Matt and Kim
    I'm wondering what Dan and Philly crew think of these. Much more poppy. And i love pop. So i am happy. Already my soundtrack to summer '09.

  • "Two Weeks" by Grizzly Bear
    From a performance on Letterman. Amazing, direct pop. It makes me bounce!

  • "My Girls" and "Brothersport" by Animal Collective
    My favorite thing about Animal Collective is when they cut through silly nonsense about "femurs sitting in my cherry dream" ("Grass") and "birthin" ("Fireworks") and instead express simple beautiful sentiments like "Would you like to see me often / though you don't need to see me often?" ("Grass") and "You're only what i see sometimes" ("Fireworks"). "My Girls" is currently my favorite track of '09 with the bouncing refrain "I don't mean / to seem like i care about material things / like the social stats / i just want / four walls and adobe slabs / for my girls."


Blah, blah, blah. If you've gotten this far in the note ... you really need some direction in your life.

Missing You,
-daren

Ron and Rachel Getting Married

From Drop Box

"If you like these people i'm sure you wouldn't mind watching them for two hours. But me ... i was bored as shit."
-Prof. Ron F., writer of Transformers: The Movie (1986) and 10 episodes of "Chico and the Man", on Rachel Getting Married

Being prone to hyperbole (but also lacking a general understanding of what i actually mean when i say things) i like claiming - in my defense of such movies like Paranoid Park and The New World- that "I like boring movies." This isn't necessarily true. (Though i must divulge i stole this admission from an interview with Abbias Kiourastami i once saw. Hey, i'm unoriginal, too!) I don't find these films boring. My mind wanders in them but its usually a very productive wandering motivated by whats happening on screen. Its an active participation in the film. Hooray for movies!

Ron is great guy. He's capable of being quite funny, in spite of his sitcom-y punchline-heavy style of teaching. I appreciate him as an old soul of TV's (and Hollywood's) past. He's a bit sexist ("what do you tell a woman with two black eyes? (beat) Nothing! You already told her twice! Haha! ... I'm sorry. That's inappropriate.") I almost wish i would have taken him freshman year when his opening expletive chant ("Everybody say it together ... Shit! Piss! Fuck! Ass! Damn!") would've have been seen as wildly inappropriate and incredibly freeing. "College Rules!" i would've told my wide-eyed blythian self. Senior year Sprawls simply lets out a slight chuckle. "Oh, Ron," i smile politely, "your attempts at irreverence and hipness are amusing."

Ron didn't like any of the characters in Rachel Getting Married. And therefore, he didn't like the film. He's a strong believer in the likable protagonists of classical Hollywood movies, as seen in the films he screened in class: Cary Grant in North by Northwest, Jimmy Stewart in Rear Window, Jack Lemmon in The Apartment, Roy Scheider in Jaws. Anne Hathaway plays one of the most abrasive characters of the 21st century. Selfish, narcissistic, embarrassing. She induces many a cringe. Its a sad performance. I saw myself in her on a couple of occasions, making the cringe all the more unbearable. She's a very weak, very human character.

But its her father, played by Bill Irwin, who has the most amiable role in the film. His struggles to keep the family together, with a hopeful smile, are hard fought and often heartbreaking. Irwin's character (and his performance) is a bright light in the gloomy family and my favorite part of the movie.

Unlikable characters do not equal a bad film. They're all very flawed and real. The lows they experience (most of them self-inflicted) are low and the highs (brought about by the whole of the family) are grand. And i didn't see a better movie depicting the dichotomy of life all last year. Modern American life in a two hour block. Featuring the lead singer of TV on the Radio!