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It's lame to have this announced as "Neil Simon's The Heartbreak Kid" as the film starts because it really belongs to Elaine May. Her improvisational style gives the film it's life and makes even the more routine gags feel real and organic. But it also belongs to Charles Grodin, who's anxious energy and unabashed selfishness is remarkable to watch (especially since I really only knew him as Beethoven's dad prior to this).
Grodin stars as Lenny Cantrow, a young, sports novelties salesman in NYC who
![](https://5039840956459581430-a-1802744773732722657-s-sites.googlegroups.com/site/urbansprawls/picage/HeartbreakKidPoster.jpg?attachauth=ANoY7cq-If_he9rueZ7BvFRLonUpN5CwJFEXuk97PO-rTVHtrd-pHhfBB-WYtXBYC89JmiN5rC7vqtjvaixYS_oW2tpfAm5eY6NNHkQd3-kP8p4bei08gJ1UeUJmTjjxOgBg0IDnugNdnQAdIkcDxvmnNzDJNqr7dy4Vx_bdfJrCqpGQaaJweB7hbZ22Ny_vW02Mj8mkayfSNgnBwfhyH4RTC9E76He2RekFGFL5WOs7ZdGMyUZKuCk%3D&attredirects=0)
At the Miami resort Lenny finds (or rather she finds him) manic pixie dream girl of the 70's Cybill Shephard. Their flirtation becomes an obsession for Lenny and his complete neglect of his wife becomes a sad/funny interlude to their budding relationship.
Funny, painfully pathetic and often beautifully real, The Heartbreak Kid is something special. Something to remember. But then why would I choose to share it with you lot?
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